Casa de renta de equipo cinematográfico de primer nivel en Ciudad de México. Del Valle, CDMX.
Sony 16-35 F2.8 Sony GMaster II
The Sony 16-35 F2.8 G Master II is the second generation of Sony's flagship wide-angle zoom, lighter and more compact than its predecessor, featuring four XD linear motors for ultra-fast and silent AF. Full Frame coverage with a constant F2.8 aperture, ideal for photography and video both outdoors and indoors.
Mounts: E
$1,000.00 / día
Angenieux 25-250mm T3.5 PL
Adjusted and converted to PL by Duclos Lenses, this zoom was the workhorse of the last part of the 20th century, relatively light and fast, with unique personality, a versatile optic for any S35 sensor.
Mounts: PL
$3,000.00 / día
Angenieux EZ1 45 - 135 mm T3.0 FF / 30 - 90 mm T2.0 S35
The Angenieux EZ-1 is a single-range zoom that covers 45–135mm T3.0 on Full Frame or 30–90mm T2.0 on Super 35, changing the rear group without requiring
Mounts: PL, EF
$4,000.00 / día
Angenieux EZ2 22 - 60 mm T3.0 FF/ 15 - 40 mm T2.0 S35
The Angenieux EZ-2 covers 22–60mm T3.0 in Full Frame or 15–40mm T2.0 in Super 35 with the same interchangeable rear group system as the EZ-1. A versatile wide-angle for large format and Super 35 cameras with a single lens.
Mounts: PL, EF
$4,000.00 / día
Angenieux EZ3 68-250 mm T3.5 FF / 45-165 mm T2.3 S35
The Angenieux EZ-3 covers 68–250mm T3.5 in Full Frame or 45–165mm T2.3 in Super 35, completing the EZ trilogy with the long-range
Mounts: PL, EF
$6,000.00 / día
The Canon 28-70mm F2 RF is Canon's first standard constant aperture F2 zoom for the RF mount, covering the most used focal ranges with a full stop advantage over conventional F2.8 zooms. Compatible with EOS R Full-Frame cameras for hybrid photo and video.
Mounts: RF
$1,500.00 / día
One of the fastest lenses on the market, this 50mm F0.95 produces a unique look, the favorite of Zack Snyder and other Hollywood filmmakers. LPL mount, it works on Alexa Mini LF, Alexa 35, or with adapters for RED or Sony.
Mounts: LPL
$3,000.00 / día
Rehousing of state-of-the-art GL Optics. It is one of the most sought-after sets today, with characteristics similar to the K35, but with Full-Frame coverage on all focal lengths. Its warm, soft, and organic look is ideal for working with Venice, Alexa LF, or V-Raptor.
Mounts: PL
$14,000.00 / día
COOKE SP3 E
The true "Cooke Look," this classic optic from the mid-20th Century, but re-housed by P+S Technik to meet the needs of the 21st century, is ready to deliver the unique look for which Cooke has been distinguished for over 100 years. Designed for S35, coverage in FF may vary.
Mounts: E
$6,000.00 / día
Dulens Apo Mini PL
The APO Mini are the first product from DULENS, a Hong Kong optical design workshop. They have a pleasant look with the coatings and generate halos typical of vintage lenses, featuring rainbow flares and sharp but not rigid focus. They are extremely compact and light, but
Mounts: PL, EF
$3,000.00 / día
Extender Teleconvertidor Sony 2X
The Sony 2X Teleconverter Extender is an optical extender that doubles the focal length of compatible Sony lenses (FE 70-200 G Master, 100-400
Mounts: E
$500.00 / día
The Kipon PL Cine Extender 1.25X is an optical extender for PL mount lenses that amplifies the focal length 1.25x. It extends the range of cinema zooms and prime lenses with minimal light
Mounts: PL
$500.00 / día
The Kipon PL Cine Extender 2X is a 2X optical extender for PL mount lenses that doubles the focal length with a 2-stop aperture reduction. It is useful for increasing the reach of a production zoom without changing lenses in situations where greater reach is needed.
Mounts: PL
$1,500.00 / día
Kit Cooke S2 PL
The true
Mounts: PL
$10,000.00 / día
Kit Iron Glass PL
The "perfect imperfection" of Soviet optics, converted to modern mechanics and with a PL mount. A set with its own personality, full of flares and unique imperfections. This set covers Full-Frame and is surely the only one of its kind in Mexico.
Mounts: PL
$4,000.00 / día
Kit Laowa Nanomorph PL
The most practical and lightweight solution on the market for productions looking to use modern anamorphic lenses
Mounts: PL
$4,000.00 / día
Kit Lensbaby EF
The quintessential experimental optics. Native EF mount, allowing effects that go beyond the ordinary, perspective control, and unusual optics. With the mounting plates we have, they can work on Alexa, RED, Canon, Sony, and any other camera adaptable to EF.
Mounts: EF
$3,000.00 / día
The Mamiya M645 Kit is a set of Mamiya 645 medium format lenses adapted for cinematic use. Its large format optics offer a distinctive look, with characteristic bokeh and wide field of view on large format sensors such as RED's VistaVision or the new Fuji sensors.
Mounts: M645
$3,000.00 / día
Kit Nikon EF
Look japonés nítido y preciso, otro de los grandes jugadores ópticos del siglo XX y XXI, favorito de algunos de los grandes fotógrafos y directores de cine. El set con más distancias focales, incluye el 135 DC con tecnología de control de Bokeh exclusiva de Nikon. Montura original F, pueden salir con adaptadores EF individuales, engranes de foco estándar, diámetros frontales parejos (82mm
Mounts: EF
$3,000.00 / día
KIT Vespid DZO Primes PL
Agile, lightweight, and fast, they cover Full-Frame and beyond. The advanced Chinese optical revolution, offering a smooth yet sharp look, with practically no "focus breathing." Cinema bodies with focus gears and consistent front elements that facilitate quick lens changes, 270 degrees of focus rotation, making it easier for the assistant to work. This lens is undoubtedly the best bet fo
Mounts: PL
$4,500.00 / día
Kit Zeiss Contax PL
Set of eight lenses, including the 60mm macro, from classic Zeiss optics, which has remained consistent over the years. This set of optics retains the characteristic perfection and sharpness of this German house, featuring an organic look typical of the 70s-80s.
Mounts: PL
$14,000.00 / día
Kowa Cine Prominar PL
Japanese 1960s optics, one of
Mounts: PL
$10,000.00 / día
The Laowa 10mm T2.9 PL is an extreme wide-angle Zero-
Mounts: PL
$2,000.00 / día
The Laowa 12mm f2.9 PL is the lightest Zero-D wide-angle lens in its class for Full Frame and VistaVision sensors, featuring a 122° field of view and T2.9 aperture. Its compact design
Mounts: PL
$2,000.00 / día
The Laowa 14mm T2.6 is a Zero-D wide-angle lens with a fast T2.6 aperture for Full Frame and VistaVision sensors, featuring practically zero distortion and a 77mm front filter
Mounts: PL
$2,000.00 / día
The Laowa 9mm T5.8 PL is the widest rectilinear wide-angle lens on the market for Full Frame cameras, covering a 120° field of view with minimal distortion.
Mounts: PL
$2,000.00 / día
The Laowa Extender 1.4X PL is a 1.4X optical extender for PL mount lenses that increases the focal length with minimal aperture loss (1 stop). Compatible with the Proteus family and other Laowa lenses to efficiently extend the reach, it allows users to utilize vintage zooms on FullFrame cameras.
Mounts: PL
$500.00 / día
The Laowa Fisheye Zoom 8-15mm T2.9 PL is the first cinema fisheye zoom for Full Frame, which ranges from circular fisheye at 8mm (180°) to rectangular at 15mm, with a constant aperture of T2.9. Ideal for music, action
Mounts: PL
$2,000.00 / día
The new generation of optics that put Laowa on the map. It features the same shape and characteristics as the previous version, but also includes an interchangeable tip that functions as a periscope, allowing shots from angles that were previously impossible or very complicated. The lens also allows for 360-degree rotation, enabling rotational shots, which can be controlled with a standard focus
Mounts: PL, EF
$1,500.00 / día
Laowa evolves its Probe concept once again, this time making it almost two steps faster, and offering different ways to achieve almost impossible shots. It is water-resistant up to the red line and comes with side-view modules (35 degrees) and a periscope, in addition to the probe that has made it so popular.
Mounts: PL
$4,500.00 / día
The Laowa Proteus 2X Anamorphic Silver Flare PL is a 2X anamorphic prime for Super 35 sensors with a silver flare variant. With a T2 aperture and characteristic elliptical bokeh, it offers the classic anamorphic look in a compact and affordable body.
Mounts: PL
$8,000.00 / día
Leica M
The legendary Leica look, the style of Cartier-Bresson, Platon, and Robert Capa. Ideal optics for projects that require remaining discreet while achieving the best optical quality. All cover Full-Frame and adapt to the Sony A7, FS7, FX9, and the Sony Venice.
Mounts: E, M
$3,000.00 / día
Leica R EF
Legendary German look that never goes out of style, the most complete set in Mexico, perfect contrast. Little can be said about Leica that hasn't already been said. Converted to EF mount, de-clicked diaphragm, standard focus gears, equal front diameters (82mm exterior, 77mm interior). Designed for Full-Frame sensors, they cover them completely.
Mounts: EF
$3,000.00 / día
The most complete set in Mexico, including the Summilux versions of the 35/50/80 and a 100 macro, this set features state-of-the-art rehousing from GL Optics. The classic Leica look, ready to work on Full-Frame sensors and featuring state-of-the-art mechanics and diaphragms—
Mounts: PL
$14,000.00 / día
Leitz Cine Hektor T2.1 E
ED LED
Mounts: E
$8,000.00 / día
Metabones Nikon
The Metabones Nikon is an adapter that allows the use of Nikon F mount lenses on Sony E-mount cameras, often maintaining autofocus and electronic aperture. It expands the available lens selection for Sony FX3, FX6, or Venice cameras in production.
$500.00 / día
Metabones PL-RF
The Metabones PL-RF is an optical or mechanical adapter that allows the use of PL mount lenses (cinema) on Canon EOS R cameras with the RF mount. It is essential for productions that combine Canon mirrorless cameras with the already available PL lens system.
$500.00 / día
Nikon Ais PL
One of the most important names in the history of world photography. Nikon has never directly participated in the manufacture of cinema optics; however, it is known or suspected that these crystals are the basis for some of the optical projects of many of the most
Mounts: PL
$17,000.00 / día
Olympus OM Zero Optik PL
The Olympus OM lenses adapted by Zero Optik on PL mount are vintage optics from the 70s–80s with organic visual character, soft flare, and classic bokeh, mechanically rebuilt for professional use on PL cinema cameras. Ideal for projects that seek a differentiated and unique look.
Mounts: PL
$17,000.00 / día
Pentax Super Takumar EF
La legendaria óptica Super-Takumar de Asahi Pentax, de mediados de la década de los 60s del Siglo XX, con excelentes recubrimientos, cálidos, orgánicos y agradables, pero sin flares demasiado marcados, ideal para un look vintage sutil, los conceptos de Pentax inspiraron la revolución de la SLR. Declickeados, cuentan con adaptadores EF individuales, engranes de foco estándar, diámetros front
Mounts: EF
$3,000.00 / día
RED PRO Primes PL
Desarrollados en 2009, de la mano de UniQoptics con la idea de que “estuvieran a la par de los Cooke S4 o los Ultraprime de Arri”. Los primarios RED se diseñaron desde el principio para sensores digitales sin espejo. La óptica cubre más allá del sensor de S35 en todas sus focales, y hasta Full-Frame en los más telefoto. Los seis lentes abren a T1.8, tienen frentes de 110, arillos de iris y foco en
Mounts: PL
$4,000.00 / día
Set Canon FD EF
La versión accesible de uno de los looks más buscados en la actualidad, nuestros Canon FD convertidos a montura EF permiten a todos nuestros clientes acceder a uno de los sets favoritos de nuestros tiempos. Diafragma declickeado, engranes de foco estándar, diámetros frontales parejos (80mm exterior, 77mm interior). Diseñados para sensores Full-Frame, lo cubren completamente.
Mounts: EF
$3,000.00 / día
Simmod Apsara LUMIÈRE RF
Inspired by vintage optics but with modern sharpness and design. Manufactured in Canada by SIMMOD LENS and designed by Ron Sim CSC, one of the leaders in the optical revolution of our time. They are lightweight, making them ideal for gimbals. Maintains an aperture of 1.4 throughout the set. Covers Full Frame.
Mounts: E, RF
$3,000.00 / día
SIRUI Venus Anamórfico 1.6X Full Frame RF
The SIRUI Venus Anamorphic 1.6X Full Frame RF is an anamorphic prime lens with a 1.6X compression factor designed for Canon EOS R Full Frame cameras on the RF mount. It offers elliptical bokeh, blue horizontal flares, and the anamorphic look in a compact and accessible format.
Mounts: RF
$3,000.00 / día
The Sony 12-24mm F4 G is an ultra-compact wide-angle zoom of the G series for the E mount that covers from 12mm without vignetting on Full Frame. Its constant F4 aperture and light design make it ideal for architectural photography, landscape, and documentary video with minimal equipment.
Mounts: E
$750.00 / día
Sony 12-24mm GM f 2.8
The Sony 12-24mm GM F2.8 is the fastest wide-angle zoom in the G Master line, featuring a constant F2.8 aperture from 12mm on Full Frame. It offers Sony's ultimate optical quality with exceptional sharpness throughout the range and fast AF, making it ideal for night and indoor photography and video.
Mounts: E
$1,000.00 / día
The Sony 200-600mm F5.6-6.3 G OSS is a long focal length telephoto zoom with integrated optical stabilizer and fast autofocus, ideal for nature, birds, sports, and wildlife video. Its 200-600mm range covers most telephoto scenarios in a single, compact lens for its
Mounts: E
$1,000.00 / día
The Sony 24-240mm F3.5-6.3 is an all-in-one zoom with a high 10X ratio for E Mount Full Frame, featuring optical stabilization and coverage from wide-angle to telephoto. It
Mounts: E
$500.00 / día
The Sony 28-135mm F4 PZ G OSS is the native servo zoom for Sony cinema cameras (FS7, FX9, VENICE), featuring motorized zoom, electronic OSS, and Full Frame coverage. Its silent and stepless zoom motor makes it standard in professional documentary and corporate production with Sony.
Mounts: E
$1,000.00 / día
The Sony FE 70-200mm GM OSS II is the second-generation flagship telephoto zoom lens
Mounts: E
$1,000.00 / día
The Sony FE 24-70mm F2.8 G Master II is Sony's standard reference zoom, designed for the demanding G Master user. The second generation is significantly lighter with four XD linear motors, ultra-fast AF, and prime sharpness at maximum aperture. Essential for professional photography and video.
Mounts: E
$1,000.00 / día
The Sony FE 28-70mm F2 G Master is the first standard zoom in the G Master line with a constant F2 aperture, a step faster than conventional F2.8 zooms. Designed for hybrid photo and video with four XD linear motors, a constant
Mounts: E
$1,000.00 / día
The Sony FE 50-150mm GM F2 is a constant aperture F2 telephoto zoom, the first of the Sony G Master line in that range. Ideal for portraits, concerts, events, commercials, and video, it offers exceptional bokeh and ultra-fast AF with four XD linear motors in a surprisingly compact design for its aperture.
Mounts: E
$1,000.00 / día
The Sony G 24mm F2.8 is a compact and light wide-angle lens of the G series (not G Master) for E-mount Full Frame. Its minimal size and F2.8 aperture make it ideal for street, travel, documentary, and as a second body on sets where reduced weight and size are prioritized.
Mounts: E
$500.00 / día
Sony GM 135mm f 1.8
The Sony G Master 135mm F1.8 is the quintessential portrait lens of the G Master line: exceptional bokeh, prime-level sharpness, and an F1.8 aperture for depth of field control in portraits, low-light scenes, and cinematic video. A reference lens in the industry for portrait and drama.
Mounts: E
$1,000.00 / día
The Sony G Master 14mm F1.8 is the fastest wide-angle lens in the G Master line, featuring an F1.8 aperture for night shots, astrophotography, and general scenes with maximum light capture. Superior sharpness throughout the frame, even at the maximum aperture.
Mounts: E
$1,000.00 / día
The Sony G Master 24mm F1.4 is a fast wide-angle lens from the G Master line with an F1.4 aperture, offering extreme depth of field control in interiors, portrait, and video with defined bokeh. It is considered one of the best 24mm lenses on the market in sharpness, lightness, and performance.
Mounts: E
$1,000.00 / día
The Sony G Master 50mm F1.2 is Sony's definitive reference standard lens, featuring an F1.2 aperture for organic bokeh and exceptional performance in low light conditions. Its 11-element design with an XA element reduces aberrations and offers extraordinary sharpness even at the maximum aperture.
Mounts: E
$1,000.00 / día
Sony GM 85mm f 1.4
The Sony G Master 85mm F1.4 is the standard portrait lens of the G Master line, featuring an F1.4 aperture and characteristic bokeh for total subject-background separation. It offers ultra-fast and silent AF with a dual linear motor, making it ideal for portrait, drama, and narrative video.
Mounts: E
$1,000.00 / día
Sony GM 90mm f 2.8 macro
The Sony G Master 90mm F2.8 Macro is a precision macro lens with 1:1 magnification and F2.8 aperture, compatible with AF in all conditions and featuring a dust and moisture resistant design. Ideal for macro photography, products, behind the scenes, and narrative video with extreme close focus.
Mounts: E
$1,000.00 / día
Sony Zeiss 24-70mm f 4
The Sony Zeiss 24-70mm F4 is the standard zoom from the Sony-Zeiss collaboration, offering Full Frame coverage and a constant F4 aperture OSS. Lightweight and of high optical quality, it is the ultimate travel zoom for the Sony Alpha line in photojournalism, documentary, and everyday life photography.
Mounts: E
$500.00 / día
The Sony Zeiss 35mm F1.4 is a prime lens of classic focal length from the Sony-Zeiss collaboration, featuring an F1.4 aperture and the characteristic look of the Zeiss T* system. It is ideal for photojournalism, documentary, and video on location with limited light where a wide-angle view and
Mounts: E
$1,000.00 / día
Sony Zeiss 50mm f 1.4
El Sony Zeiss 50mm F1.4 es el lente primario estándar de la colaboración Sony-Zeiss con apertura F1.4, nitidez excepcional y bokeh característico del sistema óptico Zeiss. Versatil para retrato, calle y video narrativo con separación de planos natural y color preciso.
Mounts: E
$1,000.00 / día
Zeiss Contax EF
The other great German look, Zeiss sharpness and soft contrast, German precision made optical, combine organically with any modern Zeiss optics. Converted to EF mount, declick-free diaphragm, standard focus gears, and equal front diameters (82mm exterior, 77mm interior). Designed for Full-Frame sensors, they cover them completely.
Mounts: EF
$3,000.00 / día
Zeiss Nano Primes E
The "mirrorless" version of the Supreme Primes, this set features the
Mounts: E
$6,000.00 / día
The first zoom with cinematic quality in history. Launched in 1971, it quickly became an industry standard. Ideal for those who are looking for the characteristic "Cooke Look" with its unique warmth and softness, but with the special capabilities of a high-end cinema zoom, nicknamed the "Kubrick Zoom" due to the legendary director's fondness for it.
Mounts: PL
$3,000.00 / día
ARRI ALEXA 35
Arri's first digital camera capable of filming in 4K resolution using an S35 sensor features 17 stops of dynamic range (the widest in the industry), speeds up to 120 frames per second, and a series of new technologies in color, textures, and countless improvements incorporated into the German manufacturer's most modern camera.
Mounts: LPL, PL
$25,000.00 / día
ARRI ALEXA MINI
The ideal camera for everyone who wants to film with Alexa, but wishes to keep costs under control, we offer in a simple configuration, with O'Connor tripods and Arri mattebox, but always with the correct accessories, enough memory, batteries, and the appropriate monitor.
Mounts: PL, EF
$10,000.00 / día
ARRI ALEXA MINI LF
The industry standard in Full-Frame cameras, and equipped with some of the best available accessories to expand its potential, the LF de Contenido Neto is ready to join one of Mexico's best optics catalogs.
Mounts: PL, LPL
$20,000.00 / día
Blackmagic Pocket Cinema Camera 6K Pro
La cámara de cine para grabar en RAW con la mejor relación costo beneficio del mercado. Sensor Super 35 y con ISO nativo dual de 400/3200. Cuenta con 2 entradas de audio mini XLR y filtros ND internos motorizados (2,4 y 6 pasos). Es capaz de grabar a 60 fps en 6K y hasta 120 fps en 2.8K. El formato RAW (12 bits) o ProRes 422 HQ (10 bits) y su perfecta integración con DaVinci Resolve son la herrami
Mounts: EF
$3,000.00 / día
DJI Osmo Pocket 3 4k
The smallest and most portable camera on the market, the DJI Osmo Pocket 3 Creator Combo offers a 1-inch CMOS sensor with 4K/120fps recording, 3-axis stabilization, and a 2" touch-screen rotating OLED display.
$500.00 / día
Freefly Ember S5K
La revolución en alta velocidad. Filma hasta 600 cuadros en 5K y 800 en 4K, con la opción de lograr hasta 1,000FPS a 4096 X 1728, o hasta 1,946 cuadros en 2K Cuenta con disco duro interno de 4TB, no tiene límites preestablecidos en la duración de los clips y filma directamente en ProRes. Su sensor es S35 y contamos con opción de monturas E y PL nativas, lo que permite usar prácticamente cualquier
Mounts: PL, EF, LPL, E
$12,000.00 / día
GoPro 11
The standard in action cameras, with which we have always worked. We send enough batteries, charger, cards, and mounts for a complete and worry-free shoot. We include the Media Mod option at no extra cost.
$500.00 / día
Insta360 X3
The Insta 360 X3 is a compact 360° camera with two 1/2" sensors, 5.7K 360° recording, FlowState stabilization, and an 'invisible selfie stick' mode. It is ideal for accompanying shots, making-of footage, action sports, and immersive social media content.
$500.00 / día
iPhone 16 PRO
A complete recording ecosystem with a phone, for making things as simple or as complex as needed. From a standalone iPhone to a cage with an external hard drive, power bank, variable ND, and rigging capabilities, as well as a gimbal for smooth shots. Rent only what you need!
$1,500.00 / día
iPhone 17 PRO
A complete recording ecosystem with a phone, for making things as simple or as complex as needed. From a standalone iPhone to a cage with an external hard drive, power bank, variable ND, and rigging capabilities, as well as a gimbal for smooth shots. Rent only what you need!
$1,500.00 / día
More than an evolution of the original Komodo, the Komodo-X is the perfect blend of Komodo and V-Raptor. It maintains the progressive shutter, ideal for action scenes or a lot of movement, but adds high-speed capabilities and an improved dynamic range. Our camera comes with the best accessories on the market, including high-speed cards, a RED monitor, a Mid49 cage, and a Mutiny board for I/O and p
Mounts: RF, PL, LPL, EF
$5,500.00 / día
RED V-RAPTOR [X] 8K
Su sensor 8K progresivo permite hasta 120 cuadros por segundo en 8K, o hasta 600 en 2K. Montura Nikon Z, que la hace compatible con casi cualquier óptica disponible en el mercado, incluyendo lentes Sony autofoco. Su sensor Vista Visión (más allá de Full-Frame) captura en REDCODE RAW O ProRes, cuenta con placa de distribución de poder e I/O Mutiny. Su tecnología RED Global Vision puede extend
Mounts: Z, PL, EF, LPL, E
$12,000.00 / día
Sony A1
The ideal camera for digital projects, with a 50-megapixel sensor for still photography, capable of producing up to 30
Mounts: E, EF, PL, LPL
$4,500.00 / día
Sony A7RIII
Full-Frame Sensor, ideal for hybrid productions of still photography and video, 42 megapixels in still photography and 4K video. Capable of shooting 120 frames per second in HD. Dual slot, to generate two copies of all material
Mounts: E, EF, PL, LPL
$2,500.00 / día
Sony A7RIV
Full-Frame Sensor, ideal for hybrid productions of still photography and video, 61 megapixels for still photography (the highest resolution in 35mm cameras) and 4K video. Capable of 120
Mounts: E, EF, PL, LPL
$3,000.00 / día
Sony A7SIII
Full-Frame, 120 frames per second in 4K, 10-bit color, 4:2:2, spectacular autofocus, and the legendary light sensitivity of the S series. The battle camera for digital production has a new standard.
Mounts: E, EF, PL, LPL
$3,000.00 / día
Sony Burano 8K
The Burano offers image quality very close to that of the Venice, but in a much more compact and efficient package. 8K resolution, the ability to use practically any lens, and always having in-body image stabilization, as well as X-OCN LT (Raw) recording and Sony's compact codecs.
Mounts: E, PL, LPL, EF
$10,000.00 / día
Probably the smallest and lightest camera on the list of cameras accepted by Netflix. Full-Frame Sensor, dual base ISO of 800 or 12,840 with a maximum limit of up to 102,400. It can shoot at 120 fps in UHD and up to 240 fps in HD. It also features an audio control with XLR inputs. Practical
Mounts: E, EF, PL, LPL
$3,000.00 / día
The S35 version of Sony's popular FX line, featuring all the capabilities of the line but with a smaller sensor, making it ideal for vintage, anamorphic, and other S35 lenses. It can run at 120 fps in UHD. Additionally, it includes an audio control with XLR inputs. Practicality and quality with the best autofocus on the market.
Mounts: E, EF, PL, LPL
$2,500.00 / día
Sony FX6
Probably the best cost/benefit ratio in
Mounts: E, PL, LPL, EF
$4,500.00 / día
6K Full-Frame Sensor, with 4K recording, both on full sensor and S35, high-speed capabilities, and the first usable autofocus in professional productions (with native Sony lenses), Dual Base ISO, 800 and 4,000.
Mounts: E, PL, LPL, EF
$6,000.00 / día
The Aputure 300D II is a 300W point source LED light balanced in daylight (5500K), 20% brighter than its predecessor. Compatible with Bowens Mount modifiers, Sidus Link Bluetooth control, and built-in lighting effects (explosion, TV, strobe, among others).
$1,000.00 / día
La Aputure 600D Pro es una lámpara LED de fuente puntual de 600W a luz de día (5600K) con construcción resistente a la intemperie, montura Bowens y conectividad Sidus Link, DMX/Art-Net y CRMX. Su Hyper-Reflector entrega 8,500 lux a 3m y con el Fresnel F10 puede superar los 29,000 lux.
$1,500.00 / día
Aputure Accent B7C 8 Light Kit (focos)
The Aputure Accent B7C 8 Light Kit is a kit of 8 compact 7W RGBWW LED lights with a B7 mount and Sidus Link wireless control. Ideal for practical lighting, ambient lighting, and color effects on windows, backgrounds, or sets with group control from the app.
$1,000.00 / día
The Amaran T2C is a 2-foot, 30W RGBWW LED tube with a color range of 2,500K–1
$300.00 / día
Aputure Infinibar PB3
The most advanced pixel bars on the market in their 30cm
$300.00 / día
Aputure Light Storm 60x
The Aputure Light Storm 60x is a compact 60W bi-color LED with a Bowens mount and a color temperature range of 2,700K to 6,500K. It is ideal for fill lighting, practicals, and mobile setups where professional quality is required in a compact format.
$500.00 / día
Aputure LS 1200D Pro
The 1,200D is one of the most powerful lights that can be connected to a domestic electrical outlet, generating luminosity similar to HMIs with almost half the consumption.
$2,500.00 / día
La Aputure LS 600C Pro es una lámpara LED RGBWW de 600W con montura Bowens, resistente a la intemperie, DMX/CRMX/Art-Net y control Sidus Link. Ofrece más de 1 billón de combinaciones de color, CRI 95+ y la versatilidad completa del sistema LS 600 para producción exigente.
$2,000.00 / día
Aputure MC4 Light Travel Kit
Options for integration into the frame, ranging from spotlights that substitute practical lighting, to small magnetic panels and 2-foot tubes; all these units are RGB and controllable via app.
$750.00 / día
Aputure Nova P300c
The Nova P600c is a panel similar to a 60 skypanel.
$1,500.00 / día
Aputure Nova P600c
The Nova P600c is a panel similar to a 60 skypanel.
$2,500.00 / día
The Aputure STORM 1000c is a 1000W BLAIR-CG LED lamp from the new STORM family, featuring a ProLock Bowens mount and integrated CRMX connectivity. It is designed to replace traditional HMI sources in large-scale outdoor and indoor settings.
$2,500.00 / día
Aputure STORM 400x
The Aputure STORM 400x is a 400W BLAIR point source LED lamp with Tunable White (2,500K–10,000K), featuring a compact design
$1,250.00 / día
The Godox Knowled F200R is a 200W RGBW fresnel LED panel with full color control and motorized zoom. It combines the softness of a panel with the controlled direction of a fresnel, compatible with Bowens Mount and DMX/app control.
$600.00 / día
The Aputure 80c Kit includes 3 BLAIR-CG STORM 80c 80W LED lamps plus its essential accessories. Compact light source with Bowens mount, DMX/Sidus Mesh, and full color control, ideal for small sets, location shooting
$1,500.00 / día
Kit Aputure Infinibars PB12
The most advanced pixel bars on the market, designed in the Aputure style, offering all the connectivity, power, and color fidelity advantages of the rest of the line. The Infinibars arrive to dethrone the units whose name was once synonymous
$3,000.00 / día
Modificador Spotlight Mount 26º
Aputure's Spotlight Mount 26° is a Bowens optical modifier that converts any LS/STORM lamp into a 26° closed-beam spot. It allows for precise projection of hard light with support for gobos and shutters, making it ideal for theatrical effects or background lighting.
$500.00 / día
Aputure's Spotlight Head 19° is the interchangeable optical head for the Spotlight Mount system, featuring a 19° beam angle, which is narrower than the 26°. It produces a more concentrated light spot, ideal for theatrical lighting, portraits, and directed beam effects in the background.
$250.00 / día
The Aputure Spotlight Head 36° is the interchangeable optical head for the Spotlight Mount system with a 36° open beam angle, producing a wider spot than the 19° and the 26°. It is ideal for lighting larger areas with hard light and defined shadow projection.
$250.00 / día
When light interacts with the metallic threads embedded within the crystal, refractions occur that generate organic lines and spirals.
$500.00 / día
Black ProMist 4x5.6
Tiffen Black Pro-Mist filters reduce contrast and soften highlights, creating a characteristic diffusion halo, while simultaneously reducing the sharpness of fine details without losing density in the shadows.
$500.00 / día
Black Satin filters soften fine details and imperfections by adding a subtle glow to the highlights, while maintaining a more defined overall contrast and deeper blacks
$500.00 / día
The Brilliant² Rota-Pol is a 138mm rotating filter holder designed specifically for large-diameter polarizers and special filters. Its rotating system allows the filter angle to be adjusted during shooting without modifying the matte box position, and allows more light passage than a traditional rotapola.
$500.00 / día
Filtro ND Degradado
Graduated Neutral Density Filters (GND) reduce light in one half of the frame through a transition toward transparency, allowing the balancing of exposure between very bright areas (typically the sky) and the rest of the scene without altering the colorimetry.
$500.00 / día
Filtro Pearlescent
Tiffen Pearlescent filters gently reduce the contrast and sharpness of fine details, creating a distinctive white and pearlescent halo around the highlights that lends an atmospheric and slightly glamorous look to the image.
$500.00 / día
Filtro VAXIS VX Black Mist 1/2
Vaxis Black Mist filters soften excessive digital sharpness and textures, generating a diffuse halo in the highlights while maintaining the depth and density of the dark tones. Effect similar to Tiffen Black ProMist.
$200.00 / día
Filtro VAXIS VX Black Mist 1/4
Vaxis Black Mist filters soften excessive digital sharpness and textures, generating a diffuse halo in the highlights while maintaining the depth and density of the dark tones. Effect similar to Tiffen Black ProMist.
$200.00 / día
Filtro VAXIS VX Black Mist 1/8
Vaxis Black Mist filters soften excessive digital sharpness and textures, generating a diffuse halo in the highlights while maintaining the depth and density of the dark tones. Effect similar to Tiffen Black ProMist.
$200.00 / día
Filtro VAXIS VX IRND 0.3
Vaxis IRND filters uniformly reduce the intensity of light to control exposure, while simultaneously blocking the infrared spectrum to prevent color contamination (magenta or brown shifts) in deep shadows, which is common in digital sensors when using high densities.
$200.00 / día
Filtro VAXIS VX IRND 0.6
Vaxis IRND filters uniformly reduce the intensity of light to control exposure, while simultaneously blocking the infrared spectrum to prevent color contamination (magenta or brown shifts) in deep shadows, which is common in digital sensors when using high densities.
$200.00 / día
Filtro VAXIS VX IRND 0.9
Vaxis IRND filters uniformly reduce the intensity of light to control exposure, while simultaneously blocking the infrared spectrum to prevent color contamination (magenta or brown shifts) in deep shadows, a phenomenon common in digital sensors when using high densities.
$200.00 / día
Filtro VAXIS VX IRND 1.2
Vaxis IRND filters uniformly reduce the intensity of light to control exposure, while simultaneously blocking the infrared spectrum to prevent color contamination (magenta or brown shifts) in deep shadows, a phenomenon common in digital sensors when using high densities.
$200.00 / día
Filtro VAXIS VX Pure Mist 1/2
The Vaxis Pure Mist filters subtly soften digital sharpness and textures, generating a clean and natural glow in the highlights with exceptional retention of the contrast and overall clarity of the image. Effect similar to Tiffen's ProMist.
$200.00 / día
Filtro VAXIS VX Pure Mist 1/4
Vaxis Pure Mist filters subtly soften digital sharpness and textures, generating a clean and natural glow in the highlights while maintaining exceptional contrast and overall image clarity. Effect similar to Tiffen ProMist.
$200.00 / día
Filtro VAXIS VX Pure Mist 1/8
The Vaxis Pure Mist filters subtly soften digital sharpness and textures, generating a clean and natural glow in the highlights with exceptional retention of contrast and overall image clarity. Effect similar to Tiffen ProMist.
$200.00 / día
Filtro VAXIS VX Rainbow Dazzle Confetti
Transform point light sources into scattered bursts and flashes of multiple colors, adding a vibrant optical refraction effect.
$200.00 / día
Filtro VAXIS VX VI Line Star Cross
They diffract the point light sources and specular highlights of the scene to transform them into sharp, star-shaped flares, adding a luminous and dramatic effect to the direct illuminations.
$200.00 / día
The Tilta Matte-Box MB-T15 Mini Clamp-On is a compact mattebox system that attaches directly to lenses using a clamp (without rails), compatible with outer diameters of up to 95mm. It accepts 4x5.65" filters in two independent trays.
$500.00 / día
Mattebox Arri LMB LW 4X5.6 Pro Set
The most complete version of the LBM in 4X5. ready for use on a clip-on or on a bar, as standard in our Alexa Mini LF and Alexa 35 packages, and as an option with other cameras/lenses.
$2,000.00 / día
Mattebox Mirage PRO 4x5.6
One of the most complete and practical options on the market. It can be used with clip-on or on bars with swing away. It is a three-tray mattebox, with reducers compatible with different types of optics. Made of carbon fiber, it offers a light and durable option. It has the versatility of Ar
$1,000.00 / día
A revolutionary modular system of Tilta mattebox and filters, which comes equipped with a motorized Variable ND (removable, controllable with its own control or with the Nucleus-M), Polarizer, effect filters, and an extra tray for a 4X5.65 filter. It works with optics up to 95mm in outer diameter.
$1,000.00 / día
Mattebox Tilta MBT 12 4x5.6
The matte box is constructed from carbon fiber and offers three fixed trays for 4x5.65" filters, notable for its versatility as it allows mounting both directly to the lens (clamp-on) and onto a 15 mm LWS bar system.
$1,000.00 / día
The Tilta ND Variable 4x5.6 is a variable neutral density filter in rectangular format for a mattebox, which allows continuous adjustment of exposure without changing filters. Compatible with the Mirage system and standard 4x5.65" plates.
$500.00 / día
The NiSi IRND NANO filters of 4x5.65" combine neutral density with infrared spectrum blocking, eliminating color contamination in deep shadows. NANO coating for greater water resistance and ease of cleaning.
$500.00 / día
The Tiffen Pro-Mist is a popular optical diffusion filter that softens excessive sharpness and contrast while creating a glowing "halation" or "pastel" halo around light sources. It is widely used in photography and filmmaking to smooth out skin blemishes and give modern digital sensors a more organic, film-like quality.
$500.00 / día
The Revar Cine 138mm CU close-up diopters allow for the reduction of minimum focusing distance on large cinema lenses (especially anamorphic) while maintaining edge-to-edge sharpness. They are made of high-precision Schott glass with an anodized mount.
$500.00 / día
The Kaleidoscope-9 by Revar Cine is a special effect filter with 9 surfaces that multiplies and refracts the image, creating a kaleidoscopic pattern from any subject centered in its 50mm window. Ideal for in-camera optical effects without post-production.
$500.00 / día
The Rota Pola 138mm by Revar Cine is a 138mm rotating circular polarizer designed for professional mattebox systems. It allows controlling reflections and sky saturation during shooting without the need for additional filter holders.
$500.00 / día
The Revar Cine Split Diopter 138mm allows focusing simultaneously on two planes at different distances within the same frame: half of the filter acts as a focusing diopter while the other half remains clear. An optical effect on camera without compositing.
$500.00 / día
The Wormhole 138mm by Revar Cine is a special effect filter carved in a spiral with a flat central window of 52mm. It generates a stretching and distortion effect on the edges of the frame similar to a photographic rack zoom, creating surreal perspectives on camera.
$500.00 / día
The Donut Diopter +1 (138mm/49mm) from Revar Cine is a close-up diopter with a 49mm central hole. The filter's periphery reduces the focus distance while the center remains open, allowing selective focus with spherical distortion at the edges.
$500.00 / día
The SineWave (138mm/49mm) by Revar Cine is a special effect filter with a surface in a sinusoidal wave pattern and a 49mm central hole. The subject is focused through the clear center while the filter distorts the light into columns on the sides, creating a graphic and controllable optical effect.
$500.00 / día
Schneider 4 x 5.65" RHOdium Full Spectrum ND
The Schneider 4x5.65" RHOdium Full Spectrum ND is a high-precision neutral density filter with RHOdium coating for complete infrared blocking. It guarantees perfect color neutrality at all densities without shadow degradation.
$500.00 / día
Schneider Clear
The Schneider Clear (Window) is a high-quality transparent optical filter made of clear glass that occupies the mattebox slot without visible effect. It protects the optics from dust and humidity outdoors without adding any effect to the image.
$500.00 / día
Schneider Hollywood Black Magic 4x5.6
The Schneider Hollywood Black Magic 4x5 filter combines soft diffusion with a slight contrast reduction, softening fine details and digital textures while adding an organic and cinematic glow to the highlights. A favorite in high-profile productions.
$500.00 / día
Schneider ND 4x5.6
Schneider ND 4x5 filters are high optical quality neutral density filters for standard matte boxes, which uniformly reduce light without altering colorimetry. Ideal for controlling exposure and aperture in professional cinematic production.
$500.00 / día
The Tiffen Smoque is a diffusion filter that emulates the effect of a smoke or fog machine without needing to use one on set. It allows filmmakers and photographers to add a misty atmosphere, slightly reduce contrast, and create a subtle glow around lights. Densities: 2, 1, 1/2, 1/4 *Cost per filter
$500.00 / día
Tiffen Soft FX 4x5 filters smooth the high frequencies of the image—skin, textures, fine details—without reducing overall contrast or creating visible halos in the lights, producing a more organic and less clinical look typical of high-resolution digital sensors.
$500.00 / día
The Tiffen Glimmerglass 4x5 filters produce a clean and bright halo around light sources and specular highlights while maintaining the apparent sharpness of the image. They subtly reduce contrast and soften skin details, ideal for portraits and beauty.
$500.00 / día
The Tiffen Star 6PT 6MM 4x5.6 filter generates six-pointed flares from point light sources and specular reflections in the scene. The lines engraved on the glass diffract the light, creating symmetrical light rays that add shine and glamour to the image.
$500.00 / día
The True Pola Schneider 138mm is a high-optical-quality linear polarizer in 138mm format for professional mattebox systems. It eliminates reflections on non-metallic surfaces and enhances sky saturation without affecting the image's colorimetry.
$500.00 / día
The True Streak Schneider is a streak-type flare filter that produces a horizontal line of light from point sources and specular reflections. The intensity of the effect is proportional to the lens aperture, creating more subtle and organic flares than more aggressive streaks.
$500.00 / día
The VAXIS Clear Coated Filter is a transparent optical filter with a multilayer coating that protects optics from dirt, dust, and humidity without altering the image. Ideal for outdoor production or adverse environments where protection is required without visual effect.
$500.00 / día
The DJI SDR Receiver is the receiving module for the DJI SDR Transmission platform, an ultra-low latency SDR video transmission system for professional sets. It integrates directly with DJI ecosystem cameras and monitors for compact wireless video village.
$500.00 / día
DJI SDR Transmitter
DJI's professional transmission solution, designed for productions requiring maximum stability and image quality. It offers long-range transmission with ultra-low latency, ideal for drones, cinema cameras, and live applications. Its SDR system ensures a robust signal even in environments with interference.
$500.00 / día
Hollyland Mars 400s Pro
The Hollyland Mars 400s Pro is an SDI/HDMI wireless transmission system that delivers HD video up to 1080p60 with a latency of 0.1s and a range of up to 120 meters. It is compatible with 1 transmitter and up to 2 receivers, and includes an OLED screen and multiple power modes.
$1,000.00 / día
The Feelworld F570 is a 5.7" field monitor with HDMI input, high brightness, and focus and exposure assist tools. It is a compact and economical option for camera operators or assistant directors in low-budget productions.
$250.00 / día
The Feelworld SEETEC 21" is a 21-inch reference monitor with SDI and HDMI inputs, a Full HD screen, and LUT support. It is ideal as a Video Village monitor for directors, clients, and producers during recording.
$1,000.00 / día
Hollyland MARS 400s
The most practical and comfortable option for monitoring. The M1 monitors feature an integrated transmitter, eliminating the need for an additional transmitter. They are 4K and include all necessary display options. HD video transmitter, up to 60 frames with minimal latency or high quality (ideal for streaming), allows connecting one receiver and up to three devices (tablets, phones) simultaneousl
$1,000.00 / día
Monitores Hollyland Pyro 5
The Pyro 5" and 7" monitors can be used interchangeably as a transmitter and receiver for greater versatility. Hollyland's new transmission line offers greater connectivity distance (1300' vs. the 400' of the Mars line) and lower latency (50ms), while maintaining connectivity per application. Compatible with SDI and HDMI.
$750.00 / día
Monitor Atomos Sumo 19"
One of the industry monitoring standards, our SUMO is fully equipped, both with recording disks (ProRes and ProResRaw) and with a hood, stand, V-Mount battery support, and other accessories. The ideal monitor for directors, photographers, clients, or video assistants, it also allows loading custom LUTs, screen calibration, and everything necessary for proper monitoring on set.
$2,000.00 / día
Monitor Hollyland M1
The most practical and comfortable option for monitoring. The M1 monitors feature an integrated transmitter, eliminating the need for an additional transmitter. They are 4K and include all necessary display options. HD video transmitter, up to 60 frames with minimal latency or high quality (ideal for streaming), allows connecting one receiver and up to three devices (tablets, phones) simultaneousl
$750.00 / día
Monitores Hollyland Pyro 7
The Pyro 5" and 7" monitors can be used interchangeably as a transmitter and receiver for greater versatility. Hollyland's new transmission line offers greater connectivity distance (1300' vs. the 400' of the Mars line) and lower latency (50ms), while maintaining connectivity per application. Compatible with SDI and HDMI.
$1,000.00 / día
The Atomos Ninja V is a compact 5.2" monitor-recorder with an HDMI input that records in Apple ProRes RAW or ProRes up to 4K60 on compact SSDs. It includes real-time monitoring tools such as waveform, vectorscope, and false color for precise image evaluation.
$1,000.00 / día
Receptor Hollyland Pyro S 4K
The Pyro 5" and 7" monitors can be used interchangeably as a transmitter and receiver for greater versatility. Hollyland's new transmission line offers greater connectivity distance (1300' vs. the 400' of the Mars line) and lower latency (50ms), while maintaining connectivity per application. Compatible with SDI and HDMI.
$500.00 / día
El Shogun 7 de Atomos es un monitor-grabador-switcher HDR de 7" que graba en ProRes RAW hasta 4K60 y 2K240 vía HDMI y SDI. Su pantalla de 3,000 nits con backlight de 360 zonas muestra 15+ paradas de rango dinámico y soporta salida Dolby Vision en tiempo real. También funciona como switcher para 4 cámaras HD simultáneas.
$1,500.00 / día
SmallHD 503
The most requested monitors by videographers, directors, and photographers, recognized for their brilliance and sharpness, are the standard in audiovisual production worldwide.
$1,500.00 / día
SmallHD 703
The most requested monitors by videographers, directors, and photographers, recognized for their brilliance and sharpness, are the standard in audiovisual production worldwide.
$2,000.00 / día
SmallHD Cine 7
The most requested monitors by videographers, directors, and photographers, recognized for their brilliance and sharpness, are the standard in audiovisual production worldwide.
$1,500.00 / día
SmallHD Ultra 5
The most requested monitors by videographers, directors, and photographers, recognized for their brilliance and sharpness, are the standard in audiovisual production worldwide.
$1,500.00 / día
SmallHD Ultra 7
The most requested monitors by videographers, directors, and photographers, recognized for their brilliance and sharpness, are the standard in audiovisual production worldwide.
$2,000.00 / día
Teradek Bolt 6 4K MAX DELUXE SET
The industry standard for real-time wireless video transmission. This kit includes 3 receivers and an antenna that increases transmission range. Compatible with SDI and HDMI.
$4,500.00 / día
Transmisor Hollyland Pyro S 4K
The Pyro 5" and 7" monitors can be used interchangeably as a transmitter and receiver for greater versatility. Hollyland's new transmission line offers greater connectivity distance (1300' vs. the 400' of the Mars line) and lower latency (50ms), while maintaining connectivity per application. Compatible with SDI and HDMI.
$500.00 / día
Vaxis Storm 2000+ DV Receptor Extra
La línea más alta de Vaxis, con excelentes distancias de transmisión y latencia cero, ideal para foquistas. Nuestro kit viene ya con monitor Storm Cine 8, más grande y brillante que su competencia. Contamos con un segundo receptor para integrarse a otro monitor o para que la producción lo use de acuerdo a sus necesidades. El 2000+ la versión doméstica del 3000 para el mercado internacional. Compa
$1,000.00 / día
The Vaxis Storm 2000+ DV is a long-range wireless video transmission system (up to 2,000 meters in line of sight) with ultra-low latency. Compatible with HD signal up to 1080p60 via SDI/HDMI, it is ideal for productions that require a great distance between the camera and the Video Village.
$3,000.00 / día
The ideal transmitter for small cameras can be powered via D-Tap cable or NPF batteries. The receiver features a V-Mount plate, which facilitates mounting and powering a
$1,500.00 / día
The DJI OM5 / Osmo Mobile 5 is a foldable 3-axis stabilizer for smartphones with an integrated extendable arm, intelligent subject tracking, and native vertical recording. Ideal for social media content, quick interviews, and behind-the-scenes footage from a mobile phone.
$250.00 / día
DJI Ronin R2
The industry standard in gimbals for heavy cameras, our R2 can carry practically any of our equipment. The Armor Man 2 is the ideal complement, as it distributes the weight throughout the entire body and includes a V-Mount plate that can power the entire system, in case you want to lighten the load on the arms.
$5,000.00 / día
DJI Ronin RS 4 Pro
The new version of the successful Ronin RS3. It features a longer-lasting battery, its new design allows for vertical filming without additional accessories, and it has improvements in the balancing process. It maintains the revolutionary features of the RS3, such as the use of carbon fiber, the touch display, and the automated locking system.
$2,500.00 / día
EasyRig Minimax
The Minimax version, one of the most requested accessories for handheld camera use or when working with stabilizers, is ideal for all our medium-weight cameras.
$1,000.00 / día
The EasyRig Vario 5 with Serene Arm is a camera and gimbal support system that distributes the equipment's weight onto the operator's body, absorbing the vibrations from footsteps with the Serene damping arm. It supports cameras up to 5.5 kg and is compatible with most gimbals on the market.
$2,500.00 / día
Kessler Cine Shooter Motion Control
Este combo te permite tener más control sobre la cámara, todos lo movimientos son programables (travel, pan, tilt, roll, foco, iris, zoom, dolly) y ejecutados de manera precisa y robotizados. Contamos con soporte normal y heavy duty que soporta hasta 50lbs. Perfecto para Alexa y otras cámaras pesadas con accesorios. Tiene control de foco y hasta 8 ejes para programar. Toda la programación se reali
$6,000.00 / día
The extendable tubes are compact and very portable; we have 12 to make up to 6 meters. This dolly allows for very smooth, fast movement, and the joint between the tubes is imperceptible. It can be placed on the floor or easily assembled with tripods, c-stands, or combos. It features brakes and "ultrathane" material wheels. We have different
$2,000.00 / día
Monopié de Video
The video monopod, with a fluid head that allows stabilizing the camera with greater mobility than a conventional tripod. Ideal for events, sports, and environments where rapid repositioning with smooth movements is required.
$250.00 / día
A slider that is as practical as it is durable, with adjustable lengths of 60 cm, 90 cm, and 1.5 m. Its load capacity of up to 32 kg allows mounting practically any camera, while its modular design and compact packaging facilitate transport and optimize production. It can be used on any flat surface, at floor level, or with tripods.
$1,000.00 / día
The Neewer Slider is a linear translation system for cameras with a compact design, aluminum rail, and smooth movement fluid head. Ideal for tracking shots, reveals, and controlled camera movements on set or location. Supports only small cameras.
$500.00 / día
Snorricam
Perfect for first-person recordings and immersive action scenes. Designed for mirrorless cameras.
$500.00 / día
Tilta Armor Man
A revolutionary modular system of Tilta mattebox and filters, which comes equipped with a motorized Variable ND (removable, controllable with its own control or with the Nucleus-M), Polarizer, effect filters, and an extra tray for a 4X5.65 filter. It works with optics up to 95mm in outer diameter.
$1,500.00 / día
Tilta Float
El sistema de estabilización con mejor relación precio-calidad del mercado. Ideal para proyectos que requieran movimientos cinematográficos suaves , dinámicos y fluidos. Es el complemento perfecto para el RS2 o RS3. Rápido y fácil de montar al estilo steady-cam. El brazo estabilizador y el chaleco de soporte ponen el peso del equipo en el torso, lo que le permite al operador jornadas de trab
$2,500.00 / día
Tilta Shoulder Rig
Perfect for small and medium cameras, it allows easy transition from handheld to tripod, and filming for long periods of time, with the weight correctly distributed, to facilitate operation.
$500.00 / día
Tripié O'Connor 1040 con patas de fibra
El Tripíe O’Connor 1040 con patas de fibra de carbono es un sistema de cabeza de fluido de alta precisión para cámaras de cine de hasta 45 lbs, con patas ultraligeras de fibra de carbono. Su tecnología de fluido continuo sin topes permite movimientos sueltos y controlados ideales para largometraje y TV.
$2,500.00 / día
Tripié Sachtler Aktiv8
The
$1,000.00 / día
Tripié Sachtler Cine 30 HD
The Sachtler Cine 30 HD Tripod is a professional fluid head system for heavy cinema cameras with a capacity of up to 30 kg, pan and tilt movements with adjustable tension, and carbon fiber legs. It is the industry standard for high-budget film and television production.
$2,000.00 / día
4 Diademas Hollyland Solidcom C1 PRO con Master
With a range of up to a thousand feet (approximately 350 meters) and a superb noise cancellation algorithm, Hollyland, a company expert in wireless transmission, presents one of the best solutions on the market. The system with HUB allows for grouping and expanding its capacity by adding additional hubs.
$1,250.00 / día
8 Diademas Hollyland Solidcom C1 PRO con Master
With a range of up to a thousand feet (approximately 350 meters) and a superb noise cancellation algorithm, Hollyland, a company expert in wireless transmission, presents one of the best solutions on the market. The system with HUB allows for grouping and expanding its capacity by adding additional hubs.
$2,500.00 / día
9 Diademas Hollyland Solidcom C1 PRO con HUB
With a range of up to a thousand feet (approximately 350 meters) and a superb noise cancellation algorithm, Hollyland, a company expert in wireless transmission, presents one of the best solutions on the market. The system with HUB allows for grouping and expanding its capacity by adding additional hubs.
$3,000.00 / día
5 Diademas Hollyland Solidcom C1 PRO con HUB
With a range of up to a thousand feet (approximately 350 meters) and a superb noise cancellation algorithm, Hollyland, a company expert in wireless transmission, presents one of the best solutions on the market. The system with HUB allows for grouping and expanding its capacity by adding additional hubs.
$1,500.00 / día
The Bebob B-Mount B90 CINE battery is a 90Wh battery in a B-Mount mount (SMPTE standard) with D-Tap and USB outputs, compatible with cinema cameras and accessories that require high current. More compact than an equivalent V-Mount.
$750.00 / día
The Bebob B155 CINE battery is a 155Wh battery in a B-Mount mount (SMPTE standard) with D-Tap and USB outputs. It offers greater capacity than the B90 for longer shooting days or higher consumption equipment, while maintaining the same compact form factor.
$750.00 / día
Blackmagic Design Atem Mini Pro
Compact switcher for live streaming, can be used as a video source on platforms like Zoom, or uploaded directly to Facebook Live or YouTube. Our offer includes everything necessary for a successful digital television broadcast.
$500.00 / día
Cabeza Nodal Neewer
The Neewer Node Head is a panning system that places the lens's nodal point on the tripod's axis of rotation, eliminating parallax between shots to facilitate the assembly of high-precision panoramas and time-lapses.
$250.00 / día
Carrito de Cámara
While our camera packages always include enough batteries, cards, and other accessories, we also have additional accessories to complement cameras that the production already owns.
$500.00 / día
The Cinesaddle is a flexible support bag filled with moldable material that allows cameras to be positioned on irregular surfaces, edges, or floors without the need for a tripod. Ideal for low angles, moving vehicles, and situations where a tripod is not practical.
$250.00 / día
DJI FOCUS PRO (LiDAR)
The perfect tool to convert any optical set to autofocus. It also has traditional functions for remote focusing and is ideal for working with Ronin.
$1,000.00 / día
One of the most dramatic changes in audio recording of recent years. This small package allows for two independent transmitters to a single receiver, and each transmitter also records up to 14 hours of 32-bit floating-point audio. It can be connected digitally to cell phones and cameras (USB-C and Lightning), to cameras (Sony interface), and analogically via miniplug.
$500.00 / día
The EcoFlow Delta Pro is a high-capacity portable power station (3.6kWh expandable) with multiple AC, DC, and USB outputs. Ideal for powering lamps, monitors, and set accessories in locations without access to electrical grid.
$2,500.00 / día
The EcoFlow River 2 Pro is a compact 768Wh portable power station with AC, DC, and USB fast charging outputs. Ideal for small sets or location shoots where powering LED lights, monitors, or accessories without electrical connection is required.
$800.00 / día
The Follow Focus Tiltamax is a high-precision mechanical focus control system with a smooth rotating knob and interchangeable focus marks. Compatible with standard 0.8 mod motors and 15mm or 19mm rigs for camera assistants in professional production.
$500.00 / día
Grabadora Zoom F6
The Zoom F6 Recorder is a 6-channel / 32-bit float audio recorder with 6 XLR/TRS inputs and 32-bit floating recording that eliminates saturation regardless of the input level. Ideal for production mixing, dialogue recording, and field documentaries.
$500.00 / día
The High Hat Manfrotto is a low-profile fluid support for cameras that allows for ground-level shots with the movement precision of a tripod fluid head. It is compatible with standard screw heads or quick release plates.
$500.00 / día
The Seafrogs Housing for Sony A1 is a professional-grade underwater housing designed specifically for the Sony A1, with a diving depth of up to 40 meters. It allows full access to the camera controls and is compatible with wide-angle lenses and lighting arms.
$2,500.00 / día
The Seafrogs Housing for Sony FX3 is an underwater housing designed specifically for the Sony FX3, with access to all recording controls and an operating depth of up to 40 meters. Ideal for underwater shoots, beach, rain, and extremely humid environments.
$2,500.00 / día
Jaula Smallrig para celular
The Smallrig Cage for cell phones is an aluminum rig designed for smartphones that adds 1/4" mounting points, a cold shoe, and compatibility with standard camera accessories (microphones, LED lights, grips). Ideal for vertical content production and mobile journalism.
$500.00 / día
Kit de flashes Elinchrome
The Elinchrom Flash Kit is a high-power strobe lighting system for still photography and behind the scenes on set. It includes Elinchrom studio flashes with softbox modifiers for soft and controlled lighting in photo/video hybrid production.
$2,500.00 / día
The L-Vertical Camera Bracket is an L-shaped mount that allows rotating the camera 90° for vertical (portrait) format while keeping the tripod's support point centered. Ideal for social media content, vertical interviews, and 9:16 format shots.
$500.00 / día
Módulo de Audio Sony
The Sony Audio Module is the XLR-K3M/XLR-K3M accessory that adds balanced XLR inputs to Sony cameras with a multi-interface accessory shoe. It allows connecting professional microphones with phantom power directly to the camera without an external mixer. Includes on-camera boom.
$500.00 / día
Máquina de humo
The Smoke Machine generates smoke or fog on set to create visual atmosphere, make light rays visible, and add depth to the image. It is essential for productions seeking a cinematic look with volumetrics or atmospheric effects.
$500.00 / día
O’Connor 2575D
State-of-the-art heads and tripods, capable of supporting virtually any combination of camera and optics available on the current market. The favorite choice of the world's best photographers.
$3,000.00 / día
Placa convertidora de Gold a V Mount
The Gold Plate Converter V-Mount allows adapting the Anton Bauer Gold Mount battery system to standard V-Mount receivers, facilitating compatibility between power systems from different manufacturers on the same set.
$250.00 / día
Porta Ciclorama
The Cyclorama Support is a system of adjustable supports and rails for installing cyclorama fabric or paper on a photographic or cinematic set. It allows for the creation of continuous, seamless backgrounds for interviews, portraits, or studio commercials.
$500.00 / día
The Tentacle Sync Timecode is a compact wireless LTC timecode generator/reader for synchronizing cameras, audio recorders, and multiple cameras in multi-cam production. It connects to the audio jack of any device and is configured using an app on iOS or Android.
$500.00 / día
It is an arm to support the Osmo Pocket, or other compact cameras, and provide stability and stabilization on the Z-axis.
$250.00 / día
Tilta Nucleus M
Wireless follow focus with the best price-to-quality ratio on the market, with programmable motors for focus/zoom/iris.
$1,000.00 / día
The Tilta Nucleus-M (Partial Kit) is a wireless focus and zoom control system for electronic motors in cinema lenses. It includes the essential components of the Nucleus-M system for precise focus control on demanding shoots, compatible with 0.8 motors.
$500.00 / día
Titla Nucleus M-II
Wireless follow focus with the best price-to-quality ratio on the market, with programmable motors for focus/zoom/iris.
$1,000.00 / día
V-Mount Apex 360
The V-Mount Apex 360 is a high-capacity V-Mount battery with D-Tap, USB, and regulated 2-pin output, plus an integrated LED charge level display. It is compatible with standard V
$500.00 / día